Of course I’ll hurt you. Of course you’ll hurt me. Of course we will hurt each other. But this is the very condition of existence. To become spring, means accepting the risk of winter. To become presence, means accepting the risk of absence.
Filipina actress Amalia Fuentes in Kulay dugo ang gabi (Gerardo de Leon, Philippines, 1964)
another Bucky/Nat doodle bc i can’t get them off my brain!!!
this is the most important sentence on wikipedia
Krizia, American Vogue, November 1986. Photograph by Giovanni Gastel.
(on his move from Europe to Rockland County, NY at the age of 12) “I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, ‘What are these people going to think of me?”
“From the early 1950s through the fall of the Soviet Union, the Red Room was a training program in Moscow. One of the many arms of Department X, the KGB’s experimental science division. It’s where Natasha was raised… where she earned the rank of Black Widow… and where, in the late 1950s, she met me. Back when neither she nor I knew exactly who I was.”
(Winter Soldier - 07)
Lupita Tovar in the Spanish-language version of Dracula (1931).
"And there is this aspect that all these people were trying to kill Zoller, he’s just the one who won. And everything he’s doing he’s doing with the best intentions. He’s screwing her up so bad it’s not even funny, but he doesn’t know that. And to me, at the end, there’s an almost Romeo and Juliet quality to their end. And in a different time, things could have been different.”
- Quentin Tarantino on Shosanna Dreyfus/Fredrick Zoller (X)